{"id":1792,"date":"2018-03-20T03:31:08","date_gmt":"2018-03-20T00:31:08","guid":{"rendered":"http:\/\/netlab.media\/?page_id=1792"},"modified":"2026-03-03T14:02:08","modified_gmt":"2026-03-03T11:02:08","slug":"ergin-safak-dikmen","status":"publish","type":"page","link":"https:\/\/netlab.media\/en\/ekip\/ergin-safak-dikmen\/","title":{"rendered":"Ergin \u015eafak Dikmen"},"content":{"rendered":"<div data-row-text-color=\"dark\" style=\" \" class=\"vc_row wpb_row zolo_wpb_row vc_row-fluid apress_row_class_96456126369e61b1020fa7 vc_row-o-equal-height vc_row-flex\"><div class=\"wpb_column vc_column_container vc_col-sm-4 apress_col_id_53704562369e61b102277c hover_style_none\"><div class=\"layer vc_column-inner\"  ><div class=\"wpb_wrapper\"><div class=\"ult-team-member-wrap ult-style-1\"><div class=\"ult-team-member-image\" style=\"\"> <img decoding=\"async\" class=\"\" src=\"https:\/\/netlab.media\/wp-content\/uploads\/2023\/08\/safak-dikmen.png\" alt=\"null\"  style=\"\"><span class=\"ult-team-member-image-overlay\"  ><\/span><\/div><div class=\"ult-team-member-bio-wrap style-1 ultimate-heading69e61b1022ee0\" style=\"text-align:center;; \"><div class=\"ult-team-member-name-wrap\"><h2 class=\"ult-team-member-name ult-responsive\"  data-ultimate-target='.ult-team-member-bio-wrap.ultimate-heading69e61b1022ee0 .ult-team-member-name'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Do\u00e7. Dr. Ergin \u015eafak Dikmen<\/h2><div class=\"ult-team-member-position ult-responsive\"  data-ultimate-target='.ult-team-member-bio-wrap.ultimate-heading69e61b1022ee0 .ult-team-member-position'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">NETlab Koordinat\u00f6r\u00fc<\/div><div style=\"margin-bottom:15px\"><\/div><div class='ult-social-buttons'><a href='mailto:safakdikmen@gmail.com' target='_blank' rel='noopener' title='E-Posta' class='ult-team ult-social-icon' style='font-size:16px ; margin-left:5px;margin-right:5px;;color:#28beff;'  data-iconcolor='#28beff' data-iconhover='#288cff' ><i class='Defaults-envelope'><\/i><\/a><a href='https:\/\/www.linkedin.com\/in\/safak-dikmen-phd-5761224b' target='_blank' rel='noopener' title='Linked In' class='ult-team ult-social-icon' style='font-size:16px ; margin-left:5px;margin-right:5px;;color:#28beff;'  data-iconcolor='#28beff' data-iconhover='#288cff' ><i class='Defaults-linkedin-square'><\/i><\/a><a href='http:\/\/safakdikmen.com\/' target='_blank' rel='noopener' title='Web' class='ult-team ult-social-icon' style='font-size:16px ; margin-left:5px;margin-right:5px;;color:#28beff;'  data-iconcolor='#28beff' data-iconhover='#288cff' ><i class='Defaults-desktop'><\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-8 apress_col_id_166843441669e61b102366c hover_style_none\"><div class=\"layer vc_column-inner\"  ><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>Ergin \u015eafak Dikmen graduated from Communication and Design Department of Bilkent University in 2006. He completed his master degree at the Integrated Design Department of Anhalt University with his thesis entitled \u201cOptical Illusion and its Use in Design\u201d. He received his PhD degree from Graduate School of Social Sciences of Ankara University with his thesis entitled \u201cThe New Media Ecosystem of Turkish Television Broadcasting\u201d. His animation projects were screened in many cities such as \u0130stanbul, Ankara and Berlin. He worked in different advertisement companies and in research centers as a CGI designer. Since 2011 he has been working in Ankara University, Faculty of Communication as a Lecturer. He is the founder and coordinator of New Media Research Lab (NETlab). Between 2021-2023, he served as the Vice Dean of the Faculty of Communication at Ankara University. Dikmen speaks fluent French and English. His research area focus on new media, TV 2.0 ecosystem and technologies, Science Communication, media archaeology and digital games<\/p>\n<p>orcid.org\/0000-0002-2360-7046<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\r\n<div id=\"zolo_button_element_149831937869e61b1024106\" class=\"zolo_button_element zolo_button_center zolo_button_size_large zolo_button_hoverstyle1 primary_color_scheme noanimation\" data-animation = \"No Animation\" data-delay = \"500\"><a href=\"https:\/\/avesis.ankara.edu.tr\/sdikmen\" title=\"\" class=\"zolo_button zolo_button_round zolo_ripplelink\"><span class=\"zolo_button_text\" style=\"\">Info Page<\/span><\/a><\/div><\/div><\/div><\/div><\/div><div data-row-text-color=\"dark\" style=\" \" class=\"vc_row wpb_row zolo_wpb_row vc_row-fluid apress_row_class_39527788969e61b10251f5\"><div class=\"wpb_column vc_column_container vc_col-sm-12 apress_col_id_95770299669e61b1025513 hover_style_none\"><div class=\"layer vc_column-inner\"  ><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div data-row-text-color=\"dark\" style=\" \" class=\"vc_row wpb_row zolo_wpb_row vc_row-fluid apress_row_class_134867342869e61b1025ce2\"><div class=\"wpb_column vc_column_container vc_col-sm-12 apress_col_id_206342977769e61b1025f1d hover_style_none\"><div class=\"layer vc_column-inner\"  ><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"apress_tabs_block  noanimation\" id=\"tabid_69e61b102751e\" data-animation = \"No Animation\" data-delay = \"500\"><div class=\"vc_tta-container\" data-vc-action=\"collapseAll\"><div class=\"vc_general vc_tta vc_tta-accordion vc_tta-style-accordion_style1 vc_tta-o-shape-group vc_tta-o-all-clickable apress_accordion accordion_style1\"><div class=\"vc_tta-panels-container accordion_style1\"><div class=\"vc_tta-panels\"><div class=\"vc_tta-panel\" id=\"1540057817171-41a01f91-399b\" data-vc-content=\".vc_tta-panel-body\"><div class=\"vc_tta-panel-heading\"><h4 class=\"vc_tta-panel-title\"><a href=\"#1540057817171-41a01f91-399b\" data-vc-accordion data-vc-container=\".vc_tta-container\"><span class=\"vc_tta-title-text\">Articles<\/span><\/a><\/h4><\/div><div class=\"vc_tta-panel-body\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<div id=\"apa\" class=\"tab-pane active\">\n<p>Dikmen, E. \u015e., &amp; Quainoo, M. A. (2026). <a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/17524032.2026.2634164?scroll=top&amp;needAccess=true#abstract\" target=\"_blank\" rel=\"noopener\">Toxic Trash or Economic Treasure: An Analysis of How E-waste is Framed in the Ghanaian Media<\/a>. <i>Environmental Communication<\/i>, 1\u201318. https:\/\/doi.org\/10.1080\/17524032.2026.2634164<\/p>\n<p>Quainoo, M. A., &amp; Dikmen, E. \u015e. (2024). <a href=\"https:\/\/journals.sagepub.com\/doi\/10.1177\/02646196241281252\" target=\"_blank\" rel=\"noopener\">Prospects and barriers to computer and internet access by older blind and visually impaired people in Ghana<\/a>. <i>British Journal of Visual Impairment<\/i>, <i>0<\/i>(0). <a href=\"https:\/\/doi.org\/10.1177\/02646196241281252\">https:\/\/doi.org\/10.1177\/02646196241281252<\/a><\/p>\n<p class=\"col-md-11 col-sm-11 col-xs-11\">Aksak, E. O., Dikmen, E. \u015e., &amp; K\u0131l\u0131\u00e7, N. P., (2023). <a href=\"https:\/\/ijoc.org\/index.php\/ijoc\/article\/view\/17641\" target=\"_blank\" rel=\"noopener\">Managing Pandemic Communication Online: Turkish Ministry of Health&#8217;s Digital Communication Strategies During COVID-19<\/a>.\u00a0International Journal of Communication, vol.17, 1551-1572.<\/p>\n<\/div>\n<p>Dikmen, E. \u015e. (2022). <a href=\"https:\/\/dergipark.org.tr\/tr\/pub\/josc\/issue\/69425\/987200\" target=\"_blank\" rel=\"noopener\">The Changing Face of Television: Twitch TV and Next Generation Broadcasting<\/a>. Sel\u00e7uk \u0130leti\u015fim, 15 (1), 27-55. DOI: 10.18094\/josc.987200<\/p>\n<p>Dikmen, E. \u015e. (2022). <a href=\"https:\/\/dergipark.org.tr\/tr\/pub\/trta\/issue\/68274\/1010512\" target=\"_blank\" rel=\"noopener\">Social Media Platforms and Television Broadcasting: Digital Practices of Turkish Radio and Television Corporation<\/a>. TRT Akademi , 7 (14) , 134-153 . DOI: 10.37679\/trta.1010512<\/p>\n<p class=\"article-title\">K\u0131l\u0131\u00e7, N. P ve Dikmen, E. \u015e (2021) <a href=\"https:\/\/netlab.media\/en\/publication\/belediye-yeni-medya\/\" target=\"_blank\" rel=\"noopener\">Say\u0131sal Belediyecilik: T\u00fcrkiye\u2019deki Belediyelerin Yeni Medya Kullan\u0131mlar\u0131.<\/a> <em>Journal of Erciyes Communication, 8(2): 795 \u2013 811<\/em>, 8 (2) , 795-811 . DOI: 10.17680\/erciyesiletisim.896129<\/p>\n<p class=\"article-title\">Atik, A.D., Aslan, E. Dikmen, E. \u015e., Erko\u00e7, F. (2021). Development and usability testing of an educational mobile learning app for climate change and health impacts. Turkish Journal of Biochemistry (TJB). (46(1).<\/p>\n<p class=\"article-title\">Kiyan, Z. ve Dikmen, E. (2019) <a href=\"https:\/\/dergipark.org.tr\/download\/article-file\/695562\" target=\"_blank\" rel=\"noopener noreferrer\">The Role of Social Media in Advertising: A Research on Instagram<\/a>. <em>Ankara University \u0130lef Journal<\/em>, 6(1): Doi:10.24955\/ilef.554036<\/p>\n<p class=\"article-title\">Dikmen, E . (2019). <a href=\"http:\/\/dergipark.gov.tr\/josc\/issue\/42922\/470961\" target=\"_blank\" rel=\"noopener noreferrer\">1980-2017 Y\u0131llar\u0131 Aras\u0131nda Dijital Oyun End\u00fcstrisinin Geli\u015fimi ve Olu\u015fturulan Yapay Ya\u015fam <\/a>D\u00f6ng\u00fcleri. <em>Journal Of Selcuk Communication 12 (1), 294-311.<\/em>, 12 (1), 294-311. Doi: 10.18094\/josc.470961<\/p>\n<p class=\"article-title\">Dikmen, E. (2018). <a href=\"http:\/\/dergipark.gov.tr\/ilef\/issue\/40769\/491648\" target=\"_blank\" rel=\"noopener noreferrer\">Y\u00fcksek \u00d6\u011fretim Kurumlar\u0131n\u0131n Video Payla\u015f\u0131m Stratejileri:<\/a> T\u00fcrkiye\u2019deki \u00dcniversitelerin YouTube Kanallar\u0131 \u00dczerine Bir \u0130nceleme. <em>Ankara University \u0130lef Journal<\/em>, 5(2): 29-52 Doi:10.24955\/ilef.491648.<\/p>\n<p class=\"article-title\">Dikmen, E. (2017). <a href=\"http:\/\/dergipark.gov.tr\/e-gifder\/issue\/28776\/283117\" target=\"_blank\" rel=\"noopener noreferrer\">T\u00fcrkiye\u2019de Televizyon Yay\u0131nc\u0131l\u0131\u011f\u0131n\u0131n D\u00f6n\u00fc\u015f\u00fcm\u00fc: Sosyal TV Yay\u0131nc\u0131l\u0131\u011f\u0131<\/a>. <em>G\u00fcm\u00fc\u015fhane \u00dcniversitesi \u0130leti\u015fim Fak\u00fcltesi Elektronik Dergisi<\/em>, 5(1): 425-448., Doi: 10.19145\/gumuscomm.283117.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><div class=\"vc_tta-panel\" id=\"1540057817115-8aaf2b05-fa53\" data-vc-content=\".vc_tta-panel-body\"><div class=\"vc_tta-panel-heading\"><h4 class=\"vc_tta-panel-title\"><a href=\"#1540057817115-8aaf2b05-fa53\" data-vc-accordion data-vc-container=\".vc_tta-container\"><span class=\"vc_tta-title-text\">Presentations<\/span><\/a><\/h4><\/div><div class=\"vc_tta-panel-body\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>Aslan, A. S. &amp; Dikmen, E.\u015e. (2024). The Discourse of Climate Change Skepticism on Youtube: The Case of Gzt Youtube Channel. Digital Transformation and New Media Symposium. 13-15 May 2024 Bolu. (Oral Presentation).<\/p>\n<p>Dikmen, E. \u015e. (2023). Virtual Reality Platforms and Interactive Documentaries, Is There Something New? New Media Studies VI. Congress. 16-17 November 2023 Eski\u015fehir.<\/p>\n<p>Dikmen, E. \u015e. (2021). Video Sharing Platforms and Created Techno-Borders. V. International New Media Conference: Digital Inequality, 2-3 December 2021.<\/p>\n<p>Dikmen, E. \u015e. (2021). Sanal Ger\u00e7eklik Platformlar\u0131nda Dijital \u00d6yk\u00fc Anlat\u0131m\u0131 ve 360 Video Teknolojisi. 18th International Symposium: Communication in the Millennium (CIM 2021) 26-27 Ekim 2021, 33-34.<\/p>\n<p>Kili\u00e7 N.P., Dikmen, E. \u015e., &amp; \u00d6zdora Ak\u015fak, E. (May 27, 2021). Pandemi D\u00f6neminde T.C. Sa\u011flik Bakanli\u011fi Dijital \u0130leti\u015fim Pratikleri. \u00dcsk\u00fcdar University Faculty of Communication 8th International Communications Day: Crisis Communication in the Digital Age, Istanbul Turkey. May 26-28, 2021.<\/p>\n<p>Elif A., Ali D. A., Dikmen E. \u015e., Erko\u00e7 F. \u00dc. (2020) K\u00fcresel \u0130klim De\u011fi\u015fikli\u011fi ve Halk Sa\u011fl\u0131\u011f\u0131 Etkileri \u00dczerine Bir Mobil Uygulama Geli\u015ftirilmesi. 2. Uluslararas\u0131 \u0130nsani Bilimler ve E\u011fitim Bilimleri Kongresi 25-26 Eyl\u00fcl 2020, Antalya<\/p>\n<p>\u00d6. Ak\u015fak, E. \u015e. Dikmen ve L. Y. \u0130nce (2019) Oyun \u00c7al\u0131\u015fmalar\u0131nda Y\u00f6nelimler: Kuramsal Bak\u0131\u015f A\u00e7\u0131lar\u0131, Yaz\u0131n\u0131n Geli\u015fimi ve ileti\u015fim Teknolojilerinin Rol\u00fc. Yeni Medya \u00c7al\u0131\u015fmalar\u0131 IV. Ulusal Kongresi 4-5 2019 Ekim \u0130zmir<\/p>\n<p>K\u0131yan Z., Dikmen E. \u015e (2018). Reklamc\u0131l\u0131\u011f\u0131n D\u00fcn\u00fc, Bug\u00fcn\u00fc, Yar\u0131n\u0131: Sosyal Medyan\u0131n Reklamc\u0131l\u0131ktaki Rol\u00fc \u00dczerine Bir \u0130nceleme. 16 th Internatioanl Symposium Communication in the Millennium (S\u00f6zl\u00fc Sunum).<\/p>\n<p>Dikmen, E. \u015e. (2018). T\u00fcrkiye\u2019deki \u00dcniversitelerin Kurumsal Video Payla\u015f\u0131m Platformlar\u0131\u00a0Yeni Medya Tabanl\u0131 Dijital E\u011fitim Ekolojisinde Eksiklikler ve \u00c7\u00f6z\u00fcm \u00d6nerileri. 16th International\u00a0Symposium Communication in the Millenium (S\u00f6zl\u00fc Sunum).<\/p>\n<p>Dikmen, E. \u015e. (2018). Global Digital Game Industry. International Child and Information Safety Congress &#8220;Digital Games&#8221; (Davetli Konu\u015fmac\u0131).<\/p>\n<p>Dikmen, E. \u015e. (2018). The Development of Digital Games and Social Media Extensions. International Child and Information Safety Congress &#8220;Digital Games&#8221; (S\u00f6zl\u00fc Sunum).<\/p>\n<p>Dikmen, E. \u015e.(2018). Dijital Oyun End\u00fcstrisinde K\u00fcreselle\u015fme ve Yerelle\u015fme: Melez Oyunlar. Bili\u015fim 2018 &#8211; TBD 35\u2019nci Ulusal Bili\u015fim Kurultay\u0131 (S\u00f6zl\u00fc Sunum).<\/p>\n<p>Dikmen, E. \u015e. (2018). Operasyonel Seviye Siber G\u00fcvenlik Ciddi Oyunu Konsept Geli\u015ftirme \u00c7al\u0131\u015ftay\u0131. NATO Nato Bilim ve Teknoloji Organizasyonu &#8211; TRG SAS-129 &#8220;Gamification of Cyber Defense and Resilience&#8221; \u00c7al\u0131\u015fma Grubu.<\/p>\n<p>Dikmen, E. \u015e.(2018). Sosyal Sorumluluk Projelerinde Yeni \u0130leti\u015fim Teknolojilerinin Kullan\u0131m\u0131: K\u00f6pek E\u011fitiminde Mobil Uygulamalar ve Video Tabanl\u0131 E\u011fitim. K\u00f6pekle Bar\u0131\u015f- K\u00f6peklerle Birlikte Ya\u015fam E\u011fitimi \u00c7al\u0131\u015fyat\u0131 (Davetli Konu\u015fmac\u0131).<\/p>\n<p>Dikmen, E. \u015e.,Aslan C. E. (2018). \u0130nternet \u00c7a\u011f\u0131nda M\u00fczelerin D\u00f6n\u00fc\u015f\u00fcm\u00fc: D\u00fcnyada ve T\u00fcrkiye\u2019xxde Etkile\u015fimli Sanal M\u00fczelerin Sosyal Medya Kullan\u0131mlar\u0131. Yeni Zamanlar ve Halka \u0130li\u015fkiler Konferans\u0131 (S\u00f6zl\u00fc Sunum).<\/p>\n<p>Dikmen, E. \u015e.,Aslan C. E. (2018). \u0130nternet \u00c7a\u011f\u0131nda Yeni Bir E\u011fitim Ortam\u0131: D\u00fcnya\u2019da<\/p>\n<p>ve T\u00fcrkiye\u2019de Etkile\u015fimli Dijital M\u00fczeler. 20. Akademik Bili\u015fim Konferans\u0131 2018 (S\u00f6zl\u00fc Sunum).<\/p>\n<p>Dikmen, E. \u015e. (2017). \u00c7ocuk, Dijital Oyun ve Medya End\u00fcstrisi. Uluslararas\u0131 \u00c7ocuk ve Bilgig\u00fcvenli\u011fi &#8211; Dijital Oyunlar Sempozyumu (Davetli Konu\u015fmac\u0131).<\/p>\n<p>Dikmen, E. \u015e. (2017). \u0130leti\u015fim teknolojilerinin geli\u015fim s\u00fcreci ve Yeni MediaEkosisteminin haritaland\u0131rma \u00e7al\u0131\u015fmas\u0131:www.newmediaecology.com. 22. T\u00fcrkiye de \u0130nternet Konferans\u0131 (S\u00f6zl\u00fc Sunum).<\/p>\n<p>Dikmen, E. \u015e. (2016). T\u00fcrkiye\u2019de Televizyon Yay\u0131nc\u0131l\u0131\u011f\u0131n\u0131n Yeni Medya Stratejileri. 21. T\u00fcrkiye&#8217;de \u0130nternet Konferans\u0131 (S\u00f6zl\u00fc Sunum)<\/p>\n<p>Dikmen, E. \u015e. (2015). Immersive Media in Wim Webders P\u0130NA 3D. The Real and the\u00a0Intermedial \u2013 XVI. International Film and Media Studies Conference in Transilvania (S\u00f6zl\u00fc Sunum).<\/p>\n<p>Dikmen, E. \u015e. (2013). T\u00fcrkiye\u2019de Televizyon \u0130\u00e7eri\u011finin Yeni Medya ile B\u00fct\u00fcnle\u015fmesi,.\u00a0Uluslararas\u0131 G\u00f6stergebilim Konferans\u0131 (Is-it-real? Structuring Reality by Means of Signs) (S\u00f6zl\u00fc Sunum).<\/p>\n<p>Dikmen, E. \u015e. (2013). Televizyon 2.0 D\u00f6neminde Reyting \u00d6l\u00e7\u00fcmleri ve \u0130zleyicinin G\u00f6zetlenmesi. Dijital G\u00f6zetime Kar\u015f\u0131 Fark\u0131ndal\u0131k ve Kem G\u00f6zlere \u015ei\u015f Haftas\u0131 Etkinlikleri \u2013 Dijital G\u00f6zetim ve G\u00f6z\u00fcn G\u00fcc\u00fc Paneli (Davetli Konu\u015fmac\u0131).<\/p>\n<p>Dikmen, E. \u015e. (2012). The multimedia adaptation strategies of Turkish Television\u00a0Channel. ECREA European Media and Communication Doctoral Summer School (Tam MetinBildiri\/S\u00f6zl\u00fc Sunum)(Yay\u0131n No:3432661).<\/p>\n<p>Dikmen, E. \u015e.,\u00d6zaygen A.,Binark F. M.,Tokta\u015f Selma (2012). Digital\u00a0Surveillance in Turkey: From a Citizen Number to an E-Identity Card, The Quantitative\u00a0Physicalness of The Citizen,. Visualist2012 \u2013 International Congress on Visual Culture Congress\u00a0(Tam Metin Bildiri\/S\u00f6zl\u00fc Sunum).<\/p>\n<p>Dikmen, E. \u015e.,Binark F. M.,Tokta\u015f S.,\u00d6zaygen A. (2011). T\u00fcrkiye\u2019de<\/p>\n<p>Mernis\u2019den E-Kimli\u011fe do\u011fru TC. Kimlik numaras\u0131 ile yurtta\u015f\u0131n dijital bedenleni\u015fi. 4. A\u011f ve Bilgi G\u00fcvenli\u011fi Sempozyumu (S\u00f6zl\u00fc Sunum).<\/p>\n<p>Dikmen, E. \u015e., \u00d6zayhgen A., Binark F. Mutlu,Tokta\u015f S. (2010). T.C. Kimlik Numaras\u0131ndan E-Kimlik Kartlar\u0131na Yurtta\u015f\u0131n Say\u0131sal Bedenleni\u015fi,. 12. Ulusal Sosyal Bilimler Kongresi. (S\u00f6zl\u00fc Sunum).<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><div class=\"vc_tta-panel\" id=\"1540058399194-24507373-5389\" data-vc-content=\".vc_tta-panel-body\"><div class=\"vc_tta-panel-heading\"><h4 class=\"vc_tta-panel-title\"><a href=\"#1540058399194-24507373-5389\" data-vc-accordion data-vc-container=\".vc_tta-container\"><span class=\"vc_tta-title-text\">Books and Book Chapters<\/span><\/a><\/h4><\/div><div class=\"vc_tta-panel-body\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p class=\"article-title\">Dikmen, E. \u015e., \u0130nce, L. Y., ve \u00d6zdora Ak\u015fak, E. (2021). <a href=\"https:\/\/novapublishers.com\/shop\/paradigm-shifts-within-the-communication-world\/\" target=\"_blank\" rel=\"noopener\">A Systematic Literature Review of Game Studies Research in the Last Decade: Where Are We Now and Where Do We Go from Here?<\/a>\u0130\u00e7inde E. E. Ba\u015far, <em>Paradigm Shifts within the Communication World<\/em> (105-122). Nova Science Publishers.<\/p>\n<p class=\"article-title\">Dikmen, E. \u015e., K\u0131l\u0131\u00e7, N. P. ve \u00d6zdora Ak\u015fak, E. (2020). Pandemi D\u00f6neminde Kamu Spotlar\u0131n\u0131n \u00c7evrim i\u00e7i Payla\u015f\u0131m Mecralar\u0131: T.C. Sa\u011fl\u0131k Bakanl\u0131\u011f\u0131 YouTube Kanal\u0131 \u00d6rne\u011fi. \u0130\u00e7inde E. Ero\u011flu, ve F. \u00dcnal \u00c7olak, <em>Pandemi<\/em> (75-104). Ankara: Literat\u00fcrk.<\/p>\n<p class=\"article-title\">Binark, M. ve Dikmen, E. \u015e. (.der). (2020). <a href=\"https:\/\/netlab.media\/en\/yeni-medya\/arastirma-etik\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ethical Perspective and Practices in New Media Research<\/a>.\u00a0 Ankara: Alternatif Bili\u015fim.<\/p>\n<p class=\"article-title\">Dikmen, E. \u015e. (2020). Bir Dijital Gazetecilik Uygulamas\u0131 Olarak VideoGazetecili\u011fi ve \u00c7evrimi\u00e7i Haber Videolar\u0131. \u00d6, Erkmen,\u00a0 B. Ataman, B. \u00c7oban (Der.), <a href=\"https:\/\/www.kafkakitap.com\/wp-content\/uploads\/2020\/06\/Yeni-Gazetecilik.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>New Journalism: Media, Experiences, Opportunities<\/em><\/a> (246-268). \u0130stanbul: Kafka Kitap.<\/p>\n<p class=\"article-title\">Dikmen, E. \u015e. (2019). Video Gazetecili\u011fi. G. Bayraktutan (Der.), <em><a href=\"https:\/\/icerik.ataaof.edu.tr\/?d=yenimedyavegazetecilikuygulamalari\" target=\"_blank\" rel=\"noopener noreferrer\">Yeni Medya ve Gazetecilik Uygulamalar\u0131<\/a>. <\/em>(199-220). Erzurum: Atat\u00fcrk \u00dcniversitesi A\u00e7ik\u00f6\u011fretim Fak\u00fcltesi Yay\u0131n\u0131. &#8211; Ders Kitab\u0131.<\/p>\n<p class=\"article-title\">\u00c7elik, K., Turan, S., \u00dcner, S., Telatar, T. G., Dikmen, E. \u015e., Kucur, A. ve \u015eim\u015fek, A. \u00c7., (2020). <a href=\"https:\/\/www.hipokratkitabevi.com\/doc\/204\" target=\"_blank\" rel=\"noopener noreferrer\">\u00c7ocuk A\u015f\u0131lar\u0131nda Artan Karars\u0131zl\u0131k: Nedenleri Farkl\u0131 Akt\u00f6rlerin Deneyiminden Anlamak.<\/a> \u00dcner, S., \u00c7elik, K., Turan, S (Der.), Ankara: Hipokrat Yay\u0131nevi.<\/p>\n<p class=\"article-title\">Dikmen, E. \u015e. (2019). Bilim 2.0 D\u00f6neminde Veri G\u00f6rselle\u015ftirme. H. H\u00fcl\u00fcr ve C. Ya\u015f\u0131n (der.) Twitter Ara\u015ft\u0131rmalar\u0131 (141-164) i\u00e7inde. Ankara: \u00dctopya.<\/p>\n<p class=\"article-title\">K\u0131yan, Z. &amp; Dikmen, E. \u015e. (2019). <a href=\"https:\/\/novapublishers.com\/shop\/twitter-global-perspectives-uses-and-research-techniques\/\" target=\"_blank\" rel=\"noopener noreferrer\">Using Twitter as a Tool to Conduct Research: Possibilities and Limitations. <\/a><em>Twitter: Global Perspectives, Uses and Research Techniques. <\/em>Innocent Chiluwa ve Gwen Bouvier (.der), NewYork: Nova Science Publishers.<\/p>\n<p class=\"article-title\">Tokta\u015f S., Mutlu, B.,Dikmen E. \u015e.,Fidaner B.,Kuzeci E.,\u00d6zaygen A.,\u00a0 (2012). <a href=\"https:\/\/ekitap.alternatifbilisim.org\/turkiyede-dijital-gozetim.html\" target=\"_blank\" rel=\"noopener noreferrer\">T\u00fcrkiye&#8217;de Dijital G\u00f6zetim<\/a>. Alternatif Bili\u015fim Derne\u011fi, ISBN:978-605-62169-2-3.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><div class=\"vc_tta-panel\" id=\"1540058473233-65032c91-4180\" data-vc-content=\".vc_tta-panel-body\"><div class=\"vc_tta-panel-heading\"><h4 class=\"vc_tta-panel-title\"><a href=\"#1540058473233-65032c91-4180\" data-vc-accordion data-vc-container=\".vc_tta-container\"><span class=\"vc_tta-title-text\">Other Publications<\/span><\/a><\/h4><\/div><div class=\"vc_tta-panel-body\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p class=\"article-title\">Dikmen, E. \u015e. (2012). D\u00f6rd\u00fcnc\u00fc Avrupa Iletisim Konferans\u0131 (ECREA 2012) 24-27 Ekim 2012. Iletisim Arast\u0131rmalar\u0131, 9(1-2), 221-223. (Ulusal) (Hakemli) (MAKALE Yorum).<\/p>\n<p class=\"article-title\">Dikmen, E. \u015e. (2010). ECREA Medya ve Iletisim Arast\u0131rmalar\u0131 Doktora Yaz Okulu.<br \/>\nIletisim Arast\u0131rmalar\u0131, 8(2), 161-163. (Ulusal) (Hakemli) (MAKALE Yorum).<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><div class=\"vc_tta-panel\" id=\"1545386404648-119092f8-d510\" data-vc-content=\".vc_tta-panel-body\"><div class=\"vc_tta-panel-heading\"><h4 class=\"vc_tta-panel-title\"><a href=\"#1545386404648-119092f8-d510\" data-vc-accordion data-vc-container=\".vc_tta-container\"><span class=\"vc_tta-title-text\">Projects<\/span><\/a><\/h4><\/div><div class=\"vc_tta-panel-body\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>2024-2026\u00a0Ke\u015ffedilebilirlik Sistemleri \u00c7er\u00e7evesinde K\u00fcresel Dijital Svod Platformlar\u0131n\u0131n T\u00fcrkiye&#8217;de\u00a0\u00dcniversite \u00d6\u011frencilerinin \u0130zleme Deneyimlerini ve \u0130\u00e7inde Yer Ald\u0131klar\u0131 \u0130\u00e7erik Evrenini \u015eekillendirmede Oynad\u0131\u011f\u0131 Rollerin Saptanmas\u0131. (T\u00dcB\u0130TAK 1001, Ara\u015ft\u0131rmac\u0131)<\/p>\n<p>2022 &#8211; 2023 <a href=\"https:\/\/netlab.media\/en\/proje\/kultur-endustrisi\/\" target=\"_blank\" rel=\"noopener\">K\u00fclt\u00fcr End\u00fcstrilerinde \u0130stihdam Edilecek Gen\u00e7lerin \u0130\u00e7erik \u00dcretme Becerilerinin Geli\u015ftirilmesi Projesi<\/a> (K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 &#8211; U\u0308niversiteler d\u0131s\u0327\u0131ndaki kamu kurumlar\u0131yla yap\u0131lan proje \/ Proje Y\u00fcr\u00fct\u00fcc\u00fcs\u00fc)<\/p>\n<p>2022 From Garbage to Greenhouse (U\u0308niversiteler d\u0131s\u0327\u0131ndaki kamu kurumlar\u0131yla yap\u0131lan proje &#8211; Arts&amp;Maps)<\/p>\n<p class=\"article-title\">2021 <a href=\"https:\/\/netlab.media\/en\/ankara-istiklal-mahallesi\/\" target=\"_blank\" rel=\"noopener\">Registration and Protection Project of the Cultural and Architectural Heritage of Ankara \u0130stiklal Neighborhood via New Communication Technologies<\/a> (U\u0308niversiteler d\u0131s\u0327\u0131ndaki kamu kurumlar\u0131yla yap\u0131lan proje &#8211; Ankara \u00dcniversitesi TTO \/ Virtual Projects)<\/p>\n<p class=\"article-title\">2020-2021 <a href=\"https:\/\/netlab.media\/en\/proje\/360-video-teknolojisi\/\" target=\"_blank\" rel=\"noopener\">Sanal Ger\u00e7eklik ve 360\u00b0 Video Teknolojisini anlamak \/ \u015eehrin Ye\u015fil Masallar\u0131<\/a> (U\u0308niversiteler d\u0131s\u0327\u0131ndaki kamu kurumlar\u0131yla yap\u0131lan proje &#8211; Ankara \u00dcniversitesi Avrupa Ara\u015ft\u0131rmalar\u0131 Merkezi ATAUM &#8211; Hollanda B\u00fcy\u00fckel\u00e7ili\u011fi)<\/p>\n<p class=\"article-title\">2020- 2021 <a href=\"https:\/\/netlab.media\/en\/proje\/pandemi-doneminde-dijital-iletisim-stratejileri\/\" target=\"_blank\" rel=\"noopener\">Pandemi D\u00f6neminde Dijital \u0130leti\u015fim Stratejileri: T.C. Sa\u011fl\u0131k Bakanl\u0131\u011f\u0131 \u00d6rne\u011fi<\/a>. (Proje Deste\u011fi: Ankara \u00dcniversitesi BAP, Y\u00fcr\u00fct\u00fcc\u00fc)<\/p>\n<p class=\"article-title\">2019-2021 <a href=\"https:\/\/netlab.media\/en\/proje\/multeci-uyum-sureci\/\" target=\"_blank\" rel=\"noopener\">Adaptation Process of Refugee Children: Psycho-Educational Play Program and Effectiveness of Virtual Reality Applications<\/a>. (T\u00dcB\u0130TAK 1001, Ara\u015ft\u0131rmac\u0131)<\/p>\n<p class=\"article-title\">2014-2015 &#8211; Televizyon Yay\u0131n Ak\u0131\u015f\u0131ndan Yeni Medya Aray\u00fcz\u00fcne, Sanal Topografya Haritaland\u0131rma \u00c7al\u0131\u015fmas\u0131, Y\u00fcksek\u00f6\u011fretim Kurumlar\u0131 taraf\u0131ndan destekli bilimsel ara\u015ft\u0131rma projesi, 03\/03\/2014 &#8211; 03\/03\/2015 (Ankara \u00dcniversitesi BAP \u2013 Ara\u015ft\u0131rmac\u0131)<\/p>\n<p class=\"article-title\">2010 &#8211; Dijital Ar\u015fiv ve Dok\u00fcmantasyon Projesi,\u00a0 Y\u00fcksek\u00f6\u011fretim Kurumlar\u0131 taraf\u0131ndan destekli bilimsel ara\u015ft\u0131rma projesi (BAP \u2013\u00a0 Proje Destek Uzman\u0131).<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><div class=\"vc_tta-panel\" id=\"1695214794254-41cfa9e6-e0f0\" data-vc-content=\".vc_tta-panel-body\"><div class=\"vc_tta-panel-heading\"><h4 class=\"vc_tta-panel-title\"><a href=\"#1695214794254-41cfa9e6-e0f0\" data-vc-accordion data-vc-container=\".vc_tta-container\"><span class=\"vc_tta-title-text\">Verdi\u011fi Dersler<\/span><\/a><\/h4><\/div><div class=\"vc_tta-panel-body\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>License<\/strong><\/p>\n<ul>\n<li>Yeni Medya, Yeni Teknolojiler &#8211; \u0130LT217<\/li>\n<li>Yeni Medya Uygulamalar\u0131 ILT238<\/li>\n<li>Yeni Medya Uygulamalar\u0131 U\u0130LE238 (A\u00e7\u0131k ve uzaktan E\u011fitim Fak.)<\/li>\n<li>Mezuniyet Projesi \u0130LE452<\/li>\n<li>Sekt\u00f6rle \u0130\u015fbirli\u011fi Projesi \u0130LT 452<\/li>\n<li>Seminer \u0130LE415<\/li>\n<li>English I &#8211; ENG103<\/li>\n<li>English II &#8211; ENG 104<\/li>\n<li>Kurgu &#8211; RTS298<\/li>\n<li>Stop Motion Film Yap\u0131m Teknikleri<\/li>\n<li>Uygulamal\u0131 Televizyon Program\u0131 Yap\u0131m\u0131<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Y\u00fcksek Lisans ve Doktora<\/strong><\/p>\n<ul>\n<li>Yeni Medya Sosyolojisi (DR)<\/li>\n<li>Yeni Medya ve Televizyon<\/li>\n<li>Ethical Issues in Media (E\u011fitim dili ingilizce)<\/li>\n<li>Journalism in Context (E\u011fitim dili ingilizce)<\/li>\n<li>Science Communication (E\u011fitim dili ingilizce)<\/li>\n<li>G\u00f6rsel \u0130\u015fitsel \u0130leti\u015fim I<\/li>\n<li>G\u00f6rsel \u0130\u015fitsel \u0130leti\u015fim II<\/li>\n<\/ul>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><div class=\"vc_tta-panel\" id=\"1540058557955-4fdbe6b7-32f7\" data-vc-content=\".vc_tta-panel-body\"><div class=\"vc_tta-panel-heading\"><h4 class=\"vc_tta-panel-title\"><a href=\"#1540058557955-4fdbe6b7-32f7\" data-vc-accordion data-vc-container=\".vc_tta-container\"><span class=\"vc_tta-title-text\">Art and Design<\/span><\/a><\/h4><\/div><div class=\"vc_tta-panel-body\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>Webcast &#8211; Multimedia<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=4HJ5ZVpUjv0\" target=\"_blank\" rel=\"noopener\">Creative Industries and Artificial Intelligence Technologies<\/a> &#8211; \u015eafak Dikmen &#8211; Esra \u00d6zg\u00fcr &#8211; Ezgi Ekin Alt\u0131nel\u00a0 Y\u0131l: 2025<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=031KXFSf69E&amp;t=592s\" target=\"_blank\" rel=\"noopener\">Virtual Production (VP) Technologies<\/a> &#8211; \u015eafak Dikmen &#8211; Esra \u00d6zg\u00fcr &#8211; Ezgi Ekin Alt\u0131nel\u00a0 Y\u0131l: 2025<\/li>\n<li><a href=\"https:\/\/netlab.media\/en\/proje\/kultur-endustrisi\/\" target=\"_blank\" rel=\"noopener\">Yeni Mecralar ve Dijital \u0130\u00e7erik \u00dcretimi (E\u011fitim Videolar\u0131)<\/a> \u015eafak Dikmen &#8211; Esra \u00d6zg\u00fcr (10 B\u00f6l\u00fcm) Y\u0131l: 2023<\/li>\n<li><a href=\"https:\/\/netlab.media\/en\/netlabtalks\/#1642936672370-440dade8-851c\" target=\"_blank\" rel=\"noopener\">Culture Industry<\/a> &#8211; \u015eafak Dikmen &#8211;\u00a0 Esra \u00d6zg\u00fcr (12 B\u00f6l\u00fcm) Y\u0131l: 2023<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLwYPI_1duI_T5KULZSFWfza3pa8i7dVmO\" target=\"_blank\" rel=\"noopener\">Elektronik At\u0131k<\/a>\u00a0 &#8211; \u015eafak Dikmen &#8211;\u00a0 Esra \u00d6zg\u00fcr (2 B\u00f6l\u00fcm) Y\u0131l: 2023<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLwYPI_1duI_R7UigN9oKjITLfXE6U40GN\" target=\"_blank\" rel=\"noopener\">\u0130lef Dergisi Sesli Makale<\/a> &#8211; \u015eafak Dikmen &#8211; Esra \u00d6zg\u00fcr &#8211; H\u00fcmeyra Bet\u00fcl Bozkurt (8B\u00f6l\u00fcm)Y\u0131l: 2022<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=8WnFRHg9Jwk&amp;t=8s\" target=\"_blank\" rel=\"noopener\">D\u00f6rt Mevsim<\/a> \u015eafak Dikmen &#8211; Esra \u00d6zg\u00fcr &#8211; H\u00fcmeyra Bet\u00fcl Bozkurt Y\u0131l: 2022<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=C57Z3tEkFt8&amp;t=109s\" target=\"_blank\" rel=\"noopener\">360 Video Teknolojisi<\/a> \u015eafak Dikmen &#8211; G\u00f6rkem Baydar Y\u0131:l 2021<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=mF-22UEc4jo&amp;t=11s\" target=\"_blank\" rel=\"noopener\">\u015eehrin Ye\u015fil Masallar\u0131<\/a> Do\u011fa\/Hayvan Dostlar\u0131\/bisiklet &#8211; \u015eafak Dikmen &#8211; G\u00f6rkem Baydar (3B\u00f6l\u00fcm) Y\u0131l: 2021<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLwYPI_1duI_RmDFfYe-vRpMCJLu4Sjoc1\" target=\"_blank\" rel=\"noopener noreferrer\">New Media Studies and Ethics<\/a> &#8211; \u015eafak Dikmen &#8211; NETlab Talks (9B\u00f6l\u00fcm) Y\u0131l: 2020<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=wOpLISo4zxQ&amp;t=22s\" target=\"_blank\" rel=\"noopener noreferrer\">OBS Studio &#8211; E\u011fitim Videolar\u0131 ve Twitch TV Yay\u0131nc\u0131lar\u0131 \u0130\u00e7in<\/a> &#8211; Y\u0131l: 2020<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLwYPI_1duI_Qez32JfCewjoRc9kN4f7ob\" target=\"_blank\" rel=\"noopener noreferrer\">Digital Games and Streaming I<\/a> &#8211; \u015eafak Dikmen &#8211; NETlab Talks (6B\u00f6l\u00fcm) Y\u0131l: 2020<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLwYPI_1duI_RrS1hj7p_ndgIwsty4IBd5\" target=\"_blank\" rel=\"noopener noreferrer\">Digital Games and Streaming II<\/a> &#8211; \u015eafak Dikmen &#8211; NETlab Talks (5 B\u00f6l\u00fcm) Y\u0131l: 2020<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLwYPI_1duI_Syt0Uwt1BvO36OLloS7RvZ\" target=\"_blank\" rel=\"noopener noreferrer\">Social Media, We #TookTheField !<\/a> &#8211; \u015eafak Dikmen &#8211; NETlab Talks (5 B\u00f6l\u00fcm) Y\u0131l: 2020<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=DnWzwLE3l9A&amp;t=12s\" target=\"_blank\" rel=\"noopener noreferrer\">Yenilik\u00e7i Ara\u015ft\u0131rma Y\u00f6ntemleri: Sinema ve Datathon<\/a> &#8211; \u015eafak Dikmen &#8211; NETlab Talks Y\u0131l: 2020<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLwYPI_1duI_QYMFrKWo8e5tDWgBztgzxr\" target=\"_blank\" rel=\"noopener noreferrer\">Data Visualization (in English)<\/a> &#8211; \u015eafak Dikmen &#8211; NETlab Talks (10 B\u00f6l\u00fcm) Y\u0131l: 2019<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLwYPI_1duI_QwfmWXM6DN_AY47e8rzeRx\" target=\"_blank\" rel=\"noopener noreferrer\">Artificial Intelligence<\/a> &#8211; Nil\u00fcfer P. K\u0131l\u0131\u00e7 &amp; \u015eafak Dikmen &#8211; NETlab Talks (3 B\u00f6l\u00fcm) Y\u0131l: 2018<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLwYPI_1duI_SED0VmEI9tUxZi8z0-oHAh\" target=\"_blank\" rel=\"noopener noreferrer\">Augmented Reality<\/a> &#8211; \u015eafak Dikmen &amp; Nil\u00fcfer P. K\u0131l\u0131\u00e7 &#8211; NETlab Talks (5 B\u00f6l\u00fcm) Y\u0131l: 2018<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLwYPI_1duI_TRszx8C9ViOcYjG9LTS3RU\" target=\"_blank\" rel=\"noopener noreferrer\">\u0130nternet&#8217;in T\u00fcrkiye&#8217;de 25.<\/a> Y\u0131l\u0131 &#8211; \u015eafak Dikmen &amp; Sinem Aky\u00f6n &#8211; NETlab Talks (10 B\u00f6l\u00fcm) Y\u0131l: 2018<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLwYPI_1duI_Sy_lvhRugLWIuTIvTEWwHJ\" target=\"_blank\" rel=\"noopener noreferrer\">Critical Internet Research (in English)<\/a> &#8211; NETlab Talks (3 B\u00f6l\u00fcm) Y\u0131l: 2018<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLwYPI_1duI_RzTb_R4GQmk-vxruKAZj21\" target=\"_blank\" rel=\"noopener noreferrer\">Digital Games &#8211;<\/a> \u015eafak Dikmen &amp; Levent \u0130nce &#8211; NETlab Talks (4 B\u00f6l\u00fcm) Y\u0131l: 2018<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLwYPI_1duI_T5Pu64DQr-rPf7RiAXsUY6\" target=\"_blank\" rel=\"noopener noreferrer\">Digital Games<\/a> &#8211; \u015eafak Dikmen &amp; Levent \u0130nce &#8211; NETlab Talks (6 B\u00f6l\u00fcm) Y\u0131l: 2018<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLwYPI_1duI_RAoh-HfhR4m5uMqcuRX6SF\" target=\"_blank\" rel=\"noopener noreferrer\">Digital Game Industry<\/a> &#8211; NETlab Talks (5 B\u00f6l\u00fcm) Y\u0131l: 2018<\/li>\n<li>Bo\u015flu\u011fu Sen Doldur &#8211; T\u00fcrkiye Organ Nakli Vakf\u0131 &#8211; \u0130lef \/ Kurgu: \u015eafak Dikmen\u00a0 &#8211; Y\u0131l: 2017<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLry8QLwxvOC12J1R1AKEO-VAmOOpFXFe8\" target=\"_blank\" rel=\"noopener noreferrer\">Nedir Diye Sorduk<\/a> &#8211; \u0130lef FA ekibi (5 B\u00f6l\u00fcm) Y\u0131l: 2016<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/playlist?list=PLry8QLwxvOC1mZcZ3Zv99OFjjY6M-rPtA\" target=\"_blank\" rel=\"noopener noreferrer\">Kay\u0131t D\u0131\u015f\u0131 \u0130stihdamla M\u00fccadele<\/a>, T\u00fcr: TV Spot &#8211; Enver \u00d6z\u00fcst\u00fcn &amp; \u015eafak Dikmen Y\u0131l:2015.<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=0p3Uy0Z-PPo\" target=\"_blank\" rel=\"noopener noreferrer\">Sinema ve Yarat\u0131c\u0131l\u0131k, Ezel Akay S\u00f6yle\u015fisi<\/a> &#8211; Ersan Ocak &amp; \u015eafak Dikmen Y\u0131l: 2015<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=0Uds-rXCtNc&amp;t=26s\" target=\"_blank\" rel=\"noopener noreferrer\">Stop Motion animasyon<\/a> &#8211; Mait Laas S\u00f6yle\u015fisi &#8211; Y\u0131l: 2015<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=OTBhG_HD-vY\" target=\"_blank\" rel=\"noopener noreferrer\">Yarat\u0131c\u0131 Yap\u0131mc\u0131l\u0131k<\/a> &#8211; Yama\u00e7 Okur S\u00f6yle\u015fisi &#8211; Ersan Ocak &amp; \u015eafak Dikmen Y\u0131l: 2015<\/li>\n<li>Ankara \u00dcniveristesi T\u0131p Fak\u00fcltesi \u00c7oklu Yaralanma Tatbikat\u0131 \/ Kurgu: \u015eafak Dikmen &#8211; Y\u0131l 2014<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=FEw658J6jW0&amp;t=5s\" target=\"_blank\" rel=\"noopener noreferrer\">\u0130mza, T\u00fcr: Kurmaca<\/a> &#8211; \u00c7al\u0131\u015ftay &#8211; \u0130lef FA ekibi Y\u0131l: 2013<\/li>\n<\/ul>\n<p><strong>Filmografi<\/strong><\/p>\n<ul>\n<li>&#8221;Lost in Transition&#8221;, S\u00fcdkreuz &#8211; T\u00fcr: Deneysel, Y\u0131l:2007 (Almanya)<\/li>\n<li>Rehabilitation of Malta &#8211; Gozo, T\u00fcr: Belgesel Y\u0131l: 2007 (Malta)<\/li>\n<li>Get Lost, T\u00fcr: Deneysel, Y\u0131l: 2007 (Almanya)<\/li>\n<li>Katil Bebek, T\u00fcr: Canland\u0131rma, Y\u0131l: 2006 (T\u00fcrkiye)<\/li>\n<li>Asans\u00f6r, T\u00fcr: Kurmaca, Y\u0131l 2005 (T\u00fcrkiye)<\/li>\n<\/ul>\n<p><strong>Sergi<\/strong><\/p>\n<p class=\"article-title\">Uluslararas\u0131, SERGILER\/Karma sergiler \/, 06.05.2017-02.06.2017, LCDG 2001 &#8211; La Musique<br \/>\nElectronique \u00e0 Ankara, May\u0131s 2017 \u2013 2 Haziran 2017.<\/p>\n<p class=\"article-title\">Ulusal, Workshop \/, 09.02.2015-13.02.2015, Sosyal Gu\u0308venlik ve Medya At\u00f6lyesi, Ankara<\/p>\n<p class=\"article-title\">Uluslararas\u0131, Sergiler\/Karma sergiler \/, 19.11.2008-22.11.2008, G\u00f6rmek i\u00e7in Yaklas, 3. International<br \/>\nDesign and Cinema Conference \/ Exhibition \/ Workshops.<\/p>\n<p class=\"article-title\">Uluslararas\u0131, G\u00f6steriler \/Multivizyon g\u00f6sterileri \/, 03.04.2008-17.04.2008, Optic Illusion and it&#8217;s use<br \/>\nin Design, Almanya.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><div class=\"vc_tta-panel\" id=\"1545386883981-e2afad09-8fd5\" data-vc-content=\".vc_tta-panel-body\"><div class=\"vc_tta-panel-heading\"><h4 class=\"vc_tta-panel-title\"><a href=\"#1545386883981-e2afad09-8fd5\" data-vc-accordion data-vc-container=\".vc_tta-container\"><span class=\"vc_tta-title-text\">Software<\/span><\/a><\/h4><\/div><div class=\"vc_tta-panel-body\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>Qualitative Data Analysis<\/strong><\/p>\n<p>MAXQDA<\/p>\n<p><strong>Tasar\u0131m Yaz\u0131l\u0131mlar\u0131<\/strong><\/p>\n<p class=\"article-title\">Video Kurgu: Adobe Premiere, Final Cut Pro, DaVinci Resolve<\/p>\n<p class=\"article-title\">Grafik Tasar\u0131m: Adobe Photoshop, Adobe InDesign, Adobe Illustrator, Gimp, Inkscape<\/p>\n<p class=\"article-title\">G\u00f6rsel Efekt \/ Modelleme: Adobe After Effects, Blender<\/p>\n<p><strong>Data Visualization<\/strong><b><br \/>\n<\/b><\/p>\n<p>Tableau<br \/>\nFlourish<br \/>\nKnightlab<\/p>\n<p><strong>Ofis Yaz\u0131l\u0131mlar\u0131<\/strong><b><br \/>\n<\/b><\/p>\n<p>Apache Open Office<br \/>\nLibre Office<br \/>\nMicrosoft Office 365<\/p>\n<p><strong>Web \u0130\u00e7erik Y\u00f6netim Sistemi<\/strong><\/p>\n<p>WordPress<\/p>\n<p><strong>\u0130\u015fletim Sistemleri<br \/>\n<\/strong><\/p>\n<p>Windows (Microsoft)<br \/>\nMac OS (Apple Macintosh)<br \/>\nUbuntu (\u00d6zg\u00fcr Yaz\u0131l\u0131m)<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"Do\u00e7. Dr. Ergin \u015eafak DikmenNETlab Koordinat\u00f6r\u00fc Bilkent \u00dcniversitesi \u0130leti\u015fim ve Tasar\u0131m B\u00f6l\u00fcm\u00fc\u2019nden 2006 y\u0131l\u0131nda mezun oldu. Lisans\u00fcst\u00fc derecesini Anhalt \u00dcniversitesi (Almanya) Tasar\u0131m B\u00f6l\u00fcm\u00fcnde \u201cOptic Illusion and it\u2019s use for design\u201d adl\u0131 teziyle, doktoras\u0131n\u0131 Ankara \u00dcniversitesi Sosyal Bilimler Enstit\u00fcs\u00fc Radyo Televizyon<span class=\"read_more_area\"><a class=\"read-more\" href=\"https:\/\/netlab.media\/en\/ekip\/ergin-safak-dikmen\/\"> Devam\u0131... <\/a><\/span>","protected":false},"author":1,"featured_media":0,"parent":1774,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/pages\/1792"}],"collection":[{"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/comments?post=1792"}],"version-history":[{"count":41,"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/pages\/1792\/revisions"}],"predecessor-version":[{"id":6006,"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/pages\/1792\/revisions\/6006"}],"up":[{"embeddable":true,"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/pages\/1774"}],"wp:attachment":[{"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/media?parent=1792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}