{"id":3915,"date":"2020-07-07T22:25:01","date_gmt":"2020-07-07T19:25:01","guid":{"rendered":"https:\/\/netlab.media\/?p=3915"},"modified":"2024-04-05T13:10:42","modified_gmt":"2024-04-05T10:10:42","slug":"yaslilara-bir-yer-var-mi","status":"publish","type":"post","link":"https:\/\/netlab.media\/en\/blog\/yaslilara-bir-yer-var-mi\/","title":{"rendered":"Ya\u015fl\u0131lara Bir Yer Var M\u0131?"},"content":{"rendered":"<p><strong>Birikim (2019) S:362-363, Ya\u015fl\u0131lara Bir Yer Var M\u0131? \u00d6zel Say\u0131s\u0131<\/strong><\/p>\n<p>Ya\u015fl\u0131lara bir yer var m\u0131?\u201dsorusuna odaklanan Birikim\u2019in 362-363. say\u0131s\u0131 ya\u015flanma ve ya\u015fl\u0131l\u0131\u011f\u0131n farkl\u0131 g\u00f6r\u00fcn\u00fcmlerini tart\u0131\u015fmaya a\u00e7ankonularlaHaziran\/Temmuz 2019\u2019daokurlar\u0131n huzuruna \u00e7\u0131kt\u0131. Bu say\u0131da farkl\u0131 kavram ve temalar alt\u0131ndayazarlar\u0131n\/ara\u015ft\u0131rmac\u0131lar\u0131n do\u011frudan ya da dolayl\u0131 olarak deneyimledikleri ya\u015flanma ve ya\u015fl\u0131l\u0131k ger\u00e7ekli\u011fini g\u00fcndelik ve toplumsal hayati\u00e7inde nas\u0131l problematize ettiklerine tan\u0131kl\u0131k edilmektedir.Derginin \u201cuzun ya\u015famlar, ya\u015flanan d\u00fcnya\u201dba\u015fl\u0131kl\u0131b\u00f6l\u00fcm\u00fcnde;ya\u015fam s\u00fcresinin uzamas\u0131na ba\u011fl\u0131 olarak de\u011fi\u015fen ya\u015fl\u0131l\u0131k alg\u0131s\u0131n\u0131n hem ku\u015faklararas\u0131 hem de ku\u015fak i\u00e7i ili\u015fkileri ve ileti\u015fimi nas\u0131l d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fc sorunsalla\u015ft\u0131r\u0131lm\u0131\u015ft\u0131r. Bu ba\u011flamda\u0130pek G\u00fcrkaynak\u2019\u0131n \u00f6znel deneyiminden, \u00d6zlem Erden Aki\u2019nin hastane g\u00fcnl\u00fcklerindenve\u015eadiye D\u00f6n\u00fcmc\u00fc\u2019n\u00fcnhuzurevi kar\u015f\u0131la\u015fmalar\u0131ndan yola \u00e7\u0131karak kaleme ald\u0131klar\u0131makalelerdeya\u015fl\u0131l\u0131\u011f\u0131nnas\u0131l deneyimlendi\u011fisunulurken; Sinan S\u00fcl\u00fcn \u015fiirde, romanda vefilmlerde yer alan ya\u015fl\u0131l\u0131\u011f\u0131n genel g\u00f6r\u00fcn\u00fcm\u00fcn\u00fc incelemektedir.Ya\u015flanmaya ba\u011fl\u0131 olarak d\u00fc\u015fen gelirinkapitalist sistemin ya\u015fl\u0131lar\u0131n\u0131maruz b\u0131rakt\u0131\u011f\u0131ya\u015f ayr\u0131mc\u0131l\u0131\u011f\u0131n\u0131irdeleyen \u00e7al\u0131\u015fmalaraise \u201cya\u015fl\u0131l\u0131\u011f\u0131n ekonomi-politi\u011fi\u201dba\u015fl\u0131\u011f\u0131ndayer verilmi\u015ftir.Bu ba\u011flamda\u00d6zg\u00fcr Arun,zengile\u015femeyen bir toplumda ya\u015flanman\u0131n boyutlar\u0131n\u0131 tart\u0131\u015f\u0131rken;ya\u015fl\u0131l\u0131\u011f\u0131n t\u0131bbile\u015fmesiyle ortaya \u00e7\u0131kan ba\u015far\u0131l\u0131 ya\u015flanma s\u00f6ylemini Melek \u0130pek ele\u015ftirel bir perspektiften ele almaktad\u0131r.Nadir Su\u011furiseT\u00fcrkiye\u2019de ya\u015fl\u0131lara y\u00f6nelik sosyal politika uygulamalar\u0131n\u0131n toplumsal, siyasal ve k\u00fclt\u00fcrel boyurlar\u0131n\u0131 tart\u0131\u015f\u0131rken; ya\u015flanan bedenin t\u00fcketim toplumundanas\u0131l metaya d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc\u011f\u00fcn\u00fc Osman Elbekaktarmaktad\u0131r. Son olarakku\u015faklararas\u0131 toplumsal uzla\u015f\u0131n\u0131n sa\u011flanabilmesi i\u00e7in ekonomik ve siyasi arenada ya\u015flanman\u0131n dikkate al\u0131nmas\u0131n\u0131n gereklili\u011finid\u00fcnyadan \u00f6rnekerleSalih I\u015f\u0131k Boraortaya koymu\u015ftur. Dergide ya\u015flanma veya\u015fl\u0131l\u0131k ger\u00e7ekli\u011finin toplumsal cinsiyet i\u00e7erisinde nas\u0131lk\u0131r\u0131lganla\u015ft\u0131\u011f\u0131\u201cfeminist bak\u0131\u015f\u201dba\u015fl\u0131\u011f\u0131 alt\u0131nda ele al\u0131nan \u00e7al\u0131\u015fmalarla irdelenmi\u015ftir. Bu ba\u011flamdaP\u0131nar Yanarda\u011f Kocaba\u015f,feminist gerontolojinin \u00f6neminikad\u0131nlar\u0131n erkeklerdenfarkl\u0131la\u015fan ya\u015flanma ve ya\u015fl\u0131l\u0131k deneyimlerinden yola \u00e7\u0131karak tart\u0131\u015fmaya a\u00e7maktad\u0131r.Ba\u015fka bir ya\u015fl\u0131l\u0131\u011f\u0131n m\u00fcmk\u00fcn olup olmad\u0131\u011f\u0131n\u0131n cevab\u0131n\u0131 arayan Reyhan Atas\u00fc Top\u00e7uo\u011fluisebak\u0131m eme\u011fi ve sosyal haklar\u0131n kapitalist ve ataerkil sistem i\u00e7ersinde yaratt\u0131\u011f\u0131\u00e7ifte standard\u0131irdelemektedir. Ya\u015fan\u0131lan \u00e7evrenin insan\u0131n ya\u015fam pratiklerini ne \u015fekilde belirledi\u011finin tart\u0131\u015f\u0131ld\u0131\u011f\u0131derginin \u201cya\u015fl\u0131lar ve mek\u00e2n\u201dba\u015fl\u0131\u011f\u0131ndaisekentte ve k\u0131rsalda ya\u015flanman\u0131n de\u011fi\u015fen y\u00f6nlerininele al\u0131nd\u0131\u011f\u0131 \u00e7al\u0131\u015fmalara yer verilmi\u015ftir.Kentleritasarlanabilir hale getirmenin \u00f6nemini \u201cya\u015fl\u0131 dostu kent\u201d kavramsalla\u015ft\u0131rmas\u0131 alt\u0131nda tart\u0131\u015fan Bahar Yal\u00e7\u0131n, kenti ara\u00e7salla\u015ft\u0131rman\u0131n tehlikelerini de ortaya koymaktad\u0131r. Tolga Arvassokaklar\u0131yla, parklar\u0131yla, mek\u00e2nlar\u0131yla ve insanlar\u0131yla \u00e7ocuklu\u011funun Ankaras\u0131n\u0131n nas\u0131l ya\u015fland\u0131\u011f\u0131n\u0131 takdim ederken;k\u0131rsalda ya\u015flanmay\u0131b\u00f6lgesel ve toplumsal cinsiyet kesi\u015fimselli\u011finde ele alan Ay\u015fe G\u00fcnd\u00fcz Ho\u015fg\u00f6risek\u0131rsal haf\u0131zan\u0131n ya\u015flanmas\u0131yla geleneksel bilginin s\u00fcrd\u00fcr\u00fclebirli\u011findeki teklikelere dikkat \u00e7ekmektedir.Derginin \u201cya\u015fs\u0131z estetik\u201dba\u015fl\u0131\u011f\u0131 alt\u0131ndaiseestetik ve etik de\u011ferlerle kurulan ili\u015fki \u00fczerindensanat\u0131n farkl\u0131 dallar\u0131nda,ya\u015fl\u0131lara ve ya\u015flanmaya nas\u0131l bir rol bi\u00e7ildi\u011finin tart\u0131\u015f\u0131ld\u0131\u011f\u0131 \u00e7al\u0131\u015fmalar yer almaktad\u0131r.Sevilay \u00c7elenk, G\u00fclten Ak\u0131n\u2019\u0131n \u015fiirlerine sirayet eden ya\u015flanmay\u0131 \u00f6m\u00fcr-zaman ba\u011flam\u0131nda analiz ederken; Adalet \u00c7avdarromanlardaki, filmlerdeki ve dizilerdeki ya\u015fl\u0131l\u0131kyans\u0131malar\u0131n\u0131n izini s\u00fcrmektedir. Asl\u0131 \u00c7etinkaya,sanat sekt\u00f6r\u00fcndekiya\u015f\u00e7\u0131l\u0131k sorununa \u2018Ya\u015fs\u0131z bir sanat alemi d\u00fc\u015f\u00fcn\u00fclebilir mi?\u2019sorusu \u00fczerinde yan\u0131t ararken;estetize edilmi\u015f bir ya\u015fs\u0131zl\u0131k \u00e7a\u011f\u0131n\u0131n ya\u015f alabilme \u00f6zg\u00fcrl\u00fc\u011f\u00fc \u00fczerindeki etkileriniiseZehra \u00c7elenksorunsalla\u015ft\u0131rmaktad\u0131r. Eyl\u00fcl Deniz Ya\u015far ya\u015flanmay\u0131 bedene duyulan arzu ve ya\u015fama tutunma \u00fczerinden varolu\u015fsal bir perspektifle ele al\u0131rken; Elifcan \u00c7elebi veAsya Saydam ise yerli dizilerde temsil edilen ya\u015fl\u0131karakterlere ili\u015fkinseyicinin ya\u015fl\u0131l\u0131k alg\u0131s\u0131n\u0131, ya\u015fl\u0131l\u0131k mitleri ve g\u00f6rsel ya\u015f\u00e7\u0131l\u0131k kavramlar\u0131ylairdelemektedir.Son olarak Birikim\u2019in ya\u015flanma ve ya\u015fl\u0131l\u0131k konular\u0131na ayr\u0131lan bu say\u0131s\u0131nda;ekonomi politikten feminizme, mek\u00e2ndan estetik alg\u0131s\u0131na, psikolojidensanata kadar birbirinden farkl\u0131 temalar alt\u0131na tart\u0131\u015f\u0131lan \u00e7al\u0131\u015fmalar\u0131ntek tip bir ya\u015flanma ve ya\u015fl\u0131l\u0131ktan s\u00f6z edilemeyece\u011fi \u00fczerinde ortakla\u015fmas\u0131,alana bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131nne kadar\u00f6nemli oldu\u011funu birkez dahabelirginle\u015ftirdi\u011finden de\u011ferli bir say\u0131 dizisi ortaya \u00e7\u0131km\u0131\u015ft\u0131r.<\/p>\n<p>Bu dergi tan\u0131t\u0131m yaz\u0131s\u0131 <strong>Pelin Tokatl\u0131<\/strong> taraf\u0131ndan haz\u0131rlanm\u0131\u015ft\u0131r (Hacettepe \u00dcniversitesi \u0130leti\u015fim Bilimleri Y\u00fcksek Lisans program\u0131 \u00f6\u011frencisi, plntktl@gmail.com).<\/p>","protected":false},"excerpt":{"rendered":"<p>Birikim (2019) S:362-363, Ya\u015fl\u0131lara Bir Yer Var M\u0131? \u00d6zel Say\u0131s\u0131 Ya\u015fl\u0131lara bir yer var m\u0131?\u201dsorusuna odaklanan Birikim\u2019in 362-363. say\u0131s\u0131 ya\u015flanma ve ya\u015fl\u0131l\u0131\u011f\u0131n farkl\u0131 g\u00f6r\u00fcn\u00fcmlerini tart\u0131\u015fmaya<span class=\"read_more_area\"><a class=\"read-more\" href=\"https:\/\/netlab.media\/en\/blog\/yaslilara-bir-yer-var-mi\/\"> Devam\u0131&#8230; <\/a><\/span><\/p>","protected":false},"author":2,"featured_media":4375,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[182],"tags":[],"_links":{"self":[{"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/posts\/3915"}],"collection":[{"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/comments?post=3915"}],"version-history":[{"count":2,"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/posts\/3915\/revisions"}],"predecessor-version":[{"id":5534,"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/posts\/3915\/revisions\/5534"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/media\/4375"}],"wp:attachment":[{"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/media?parent=3915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/categories?post=3915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/netlab.media\/en\/wp-json\/wp\/v2\/tags?post=3915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}